Our used mandolin selection was going out-the-door fast, and we were running low, but we have recently received very interesting instruments to tempt you. Hit the picture links, below, for more information on each one.
Weber Bitterroot 3 Point WOW Weber Custom Bitterroot
Collings MT A Style Mandola! Weber Yellowstone A Style Octave
Don’t hesitate to Contact Bruce to chat about them!
If you are thinking about selling your instrument, here’s more information.
The Weber Cutaway, and Weber Yellowstone. The Cutaway is a beautiful, non-traditional instrument and the Yellowstone, a musician’s workhorse.
More pictures and descriptions Here, but don’t hesitate to Contact Bruce to chat about them!
Most of the MAC Instruments we’ve featured for sale have left for new homes. If you are thinking about selling your instrument, check out our program.
Now is the time to buy
Weber Scarlett Fire Varnish Fern F Mandolin
Gibson Custom F Mandolin
Weber Customized Abalone Fern F Mandolin
Check them out Here
*All have been MAC Inspected
Buying a high-end instrument on the internet is often a big decision and you can make it easier by having Bruce Weber, as reputable third party, certify that is it in good playable condition and verifying the general condition.
Any of the bridge issues below will rob your instrument of tone and volume and are responsible for more players going on a new string brand or gauge hunt because their instrument just doesn’t sound like it used to. The picture is how you feel when this happens.
I know I’ve posted on this topic a few times before, however recently Bruce has gotten quite a few instruments in for miscellaneous work and noticed almost all had bridge issues: poor fit, leaning towards the fingerboard, some bases flipped bass for treble, and messed up saddle slots. It doesn’t matter what kind of bridge you use or prefer, if they aren’t fit properly to the soundboard or any of the other issues listed above, they’re all the same: Worthless for all but a string holder.
Bruce’s Take. The bridge is responsible for efficiently transferring vibration from the strings to the soundboard and on a mandolin has a footprint of about 1.4 square inches plus or minus some depending on the builder. Now picture the bridge leaning towards the fingerboard with only the bottom edge of the base making contact with the top of the instrument. This is usually due to a recent string change pulling the top of the bridge saddle as the string are brought to pitch. The footprint has been reduced to less than .5! Not much contact there to carry anything from the strings to the soundboard. The bridge should be sitting perpendicular to the top and not looking like it wouldn’t take much to push it over. Check out on our site for the fix.
Another issue that reduces the footprint intended by the builder is a poor fit. Fitting a base to an arched top instrument is tricky if you’ve never done it. The base should sit seamlessly on the top and not have a convex shape across the width of the foot or gaps. If you hold your instrument up with the peghead pointed towards a light and look closely at the bottom edge of the bridge on the tailpiece side you shouldn’t see any light passing under the bridge base where it meets the top or visible gaps. If that doesn’t work for you try pushing a piece of notepaper under the bridge base from all angles. If it slips between the base and instrument at all, it’s time to visit your local luthier. Another way to check the fit is next time you have all the strings off take a look at the finish where the bridge sits. Most will have a slight imprint in the finish or a slightly different color. Is it the same size as your bridge base?
One more. Swapping the bass and treble ends of the bridge base is pretty easy to do, especially if you don’t have mark on the bridge base indicating which is which. When we install a bridge here we mark the bottom of the base on the treble side with a T written in pencil. Check it out next time you do a string change.
As long as we’re on bridges and you’re checking your fit, take a look at your saddle string slots. The slots should be of equal depth and should have a consistent angle pointed down towards the tailpiece and not an inverted V which can cause a string or strings to sound fuzzy. A good luthier can solve this issue in minutes by dressing the slots.
As always, give Bruce a call if you have questions. We love to help players, and their instruments, sound the best they can.
One of only three Ferns built with Scarlett Fire color, this mandolin is in pristine condition and has barely been played. Named “Miss Scarlett” by the owner.
It wears a varnish finish while current Ferns are lacquer, plus it features many customizations from the standard, which are listed in the advertisement. Go here to check it out. Beautiful.
2014 Weber Custom Fern #14456401, signed by Bruce Weber.
We’ve recently listed a used Weber Yellowstone F Mandolin that has matured and plays like butter (not to mention sporting a rare Flower Pot Inlay) and two beautiful, melodious Weber Arch Top Guitars.
These instruments have been thoroughly MAC Inspected so you can be assured that they are in great, playable condition. Buying a high-end instrument on the internet is often a big decision and the process is made easier by having Bruce Weber, a reputable third party, certify that is it in good playable condition and able to verify the general condition.
Don’t hesitate to Contact Bruce for an offer or any questions you may have about an instrument you’re interested in. He loves to talk about this stuff.